{"id":106404,"date":"2023-11-02T11:06:48","date_gmt":"2023-11-02T11:06:48","guid":{"rendered":"https:\/\/www.bgs.ac.uk\/?p=106404"},"modified":"2024-02-23T13:39:07","modified_gmt":"2024-02-23T13:39:07","slug":"the-art-of-boreholes-essex-artists-visit-the-bgs-to-be-inspired-by-our-library-of-geological-core","status":"publish","type":"post","link":"https:\/\/www.bgs.ac.uk\/news\/the-art-of-boreholes-essex-artists-visit-the-bgs-to-be-inspired-by-our-library-of-geological-core\/","title":{"rendered":"The art of boreholes: Essex artists visit the BGS to be inspired by our library of geological core"},"content":{"rendered":"\n
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October 2023 saw BGS\u2019s National Geological Repository<\/a> (NGR) welcome two UK-based artists who were visiting the collections as part of their individual projects focused on the Blackwater Estuary in Essex. Nastassja Simenski and Angenita Teekens visited the repository to view core samples from around Bradwell A, a Magnox-design nuclear power station located on the Dengie peninsula at the mouth of the River Blackwater in Essex. The power station has been in long-term decommissioned management since 2019.  <\/p>\n\n\n\n

The landscape of the Blackwater Estuary<\/h2>\n\n\n\n

Nastassja Simenski, artist and researcher at University College London, is studying for her PhD on the potential of collaborative fieldwork between artists and archaeologists. She is particularly focused on how the development of place-specific and collaborative methods \u2018in the field\u2019 enable new ways of highlighting current conversations around\u202fenergy production in the Blackwater Estuary.\u202f <\/p>\n\n\n\t\t\t

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Visiting the BGS repository\u202fand seeing the core samples from the Bradwell and Blackwater Estuary helped me to get a sense of how the geology of the area has shaped the landscape over time and, in turn, impacted the types of human production and interaction here over long durations [\u2026] for instance, the core samples from Bradwell are a starting point from which we can think about how a seemingly\u202fremote part of the Essex coast is implicated in wider contexts like managed realignment and climate change mitigation, agricultural policy, natural and cultural heritage, and the development of new forms of energy production.<\/span><\/span><\/p>\n

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Nastassja Simenski<\/span><\/b><\/span><\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/blockquote>\n\t\t\t\n\n\n

Natassja\u2019s research includes place-based art practices and considers how specific scientific research and data such as BGS core samples can be used creatively to tell bigger stories that move across long time periods and wider geographies. The issues explored in her research are mediated through art including the potential to use data, historical\u202frecords and interviews to inform musical scores, live performances and films that get shown in situ or in galleries, broadcast on radio and screened at film festivals. Natassja\u2019s research includes place-based art practices and considers how specific scientific research and data such as BGS core samples can be used creatively to tell bigger stories that move across long time periods and wider geographies. The issues explored in her research are mediated through art including the potential to use data, historical\u202frecords and interviews to inform musical scores, live performances and films that get shown in situ or in galleries, broadcast on radio and screened at film festivals. <\/p>\n\n\n\n

Earthworks: boreholes and dorodangos <\/h2>\n\n\n\n

Angenita Teekens<\/a> is an established artist with 25 years of experience in facilitating environmental community art projects. Her most recent project, \u2018Earthworks\u2019, is a community\u202finquiry about bore samples, extraction, disposal and the energy transition. The project will see members of the Othona community, as well as community groups in Essex, creating 260 dorodangos, which will be twinned with bore samples taken from fields adjacent to Bradwell, which are currently stored at BGS.<\/p>\n\n\n\n

The Japanese dorodango artform consists of a small sample of clay rolled into a sphere by human hands within human time, as part of a slow meditative practice.  <\/p>\n\n\n

\"Dorodango-making<\/a>
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Dorodango-making workshops.<\/span><\/span>\u00a0\u00a9Angenita Teekens.<\/span><\/span><\/p>\n<\/div>\n\t\t\t\t\t

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Accessing the BGS collections is a vital source of information for the creation of a borehole catalogue as part of Angenita\u2019s project. The inclusion of visual materials such as borehole logs, along with sketches, drawings and writing, will help to guide participants in their creation of the dorodangos, whilst questioning land use, energy production, geological and human time and human impact on land. <\/p>\n\n\n

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Examples of BGS data used in the projects.<\/span><\/span>\u00a0BGS \u00a9 UKRI.<\/span><\/span><\/p>\n<\/div>\n\t\t\t\t\t

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The National Geological Repository at BGS<\/h2>\n\n\n\n

The National Geological Repository (NGR) is a\u202fUKRI\u202fnational science facility<\/a> and the largest collection of geoscience samples from the UK. It forms an integral part of BGS (part of UKRI\u2019s\u202fNatural Environment Research Council<\/a>) and is located at the BGS\u2019s headquarters in Nottinghamshire. <\/p>\n\n\n\n

NGR\u2019s unique collections are used extensively by industry, in research and to support university teaching. It has the UK\u2019s largest core storage and examination facility, with the Core Store and records collections at its centre. The collections include: <\/p>\n\n\n\n